Por favor, use este identificador para citar o enlazar este ítem:
https://doi.org/10.1353/cj.2019.0060
![](/digitum/image/email_logo.png)
![](/digitum/image/logo-facebook.png)
Registro completo de metadatos
Campo DC | Valor | Lengua/Idioma |
---|---|---|
dc.contributor.author | Suárez, Juan A. | - |
dc.contributor.other | Facultades, Departamentos, Servicios y Escuelas::Departamentos de la UMU::Filología Inglesa | es |
dc.coverage.temporal | siglo XX | es |
dc.date.accessioned | 2024-02-09T08:32:01Z | - |
dc.date.available | 2024-02-09T08:32:01Z | - |
dc.date.issued | 2018 | - |
dc.identifier.citation | JCMS: Journal of Cinema and Media Studies, vol. 58, no. 4 (2019): 112-133. | es |
dc.identifier.issn | Print: 0009-7101 Electronic: 2578-4900 | - |
dc.identifier.uri | http://hdl.handle.net/10201/139053 | - |
dc.description | ©2018. This manuscript version is made available under the CC BY-NC-ND 3.0 license http://creativecommons.org/licenses/by-nc-nd/4.0/ This document is the Accepted, version of a Published Work that appeared in final form in Journal of Cinema and Media Studies. To access the final edited and published work see https://doi.org/10.1353/cj.2019.0060 | - |
dc.description.abstract | Existing analyses of Andy Warhol's Henry Geldzahler (1964) interpret it as a psychological portrait that reveals its subject's interiority. This article, by contrast, refutes such claims of psychological depth. Through a close analysis of the film's surface and of Geldzahler's performance, it reads the work in terms of parody, play with props and materials, and queer affect. It illuminates its peculiar nonpsychologizing portraiture through William James's theses about transitional mental states and the continuity of the psychic and the material. It concludes with a reconsideration of Warhol's film portraits in light of these ideas. | es |
dc.format | application/pdf | es |
dc.format.extent | 21 | es |
dc.language | eng | es |
dc.publisher | Michigan Press | es |
dc.relation | Proyecto del Plan Nacional: PGC2018-095393-B-I00 Queer Temporalities in Contemporary Anglophone Cultures. Agencia Estatal de Investigación / Ministerio de Ciencia, Innovación y Universidades | es |
dc.relation.requires | https://doi.org/10.1353/cj.2019.0060 | es |
dc.rights | info:eu-repo/semantics/openAccess | es |
dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
dc.subject | Experimental film | es |
dc.subject | Andy Warhol | - |
dc.subject | Portrait film | - |
dc.subject | William James | - |
dc.subject | Henry Geldzahler | - |
dc.title | The Face in Flight: Andy Warhol’s Henry Geldzahler | es |
dc.type | info:eu-repo/semantics/article | es |
dc.identifier.doi | https://doi.org/10.1353/cj.2019.0060 | - |
Aparece en las colecciones: | Artículos: Filología Inglesa |
Ficheros en este ítem:
Fichero | Descripción | Tamaño | Formato | |
---|---|---|---|---|
Suarez-JCMS-Warhol-Geldzahler.pdf | 3,59 MB | Adobe PDF | ![]() Visualizar/Abrir |
Este ítem está sujeto a una licencia Creative Commons Licencia Creative Commons