Publication: El flamenco en la Valencia republicana
Authors
Paulo Selvi, Isabel
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Publisher
Universidad de Murcia, Servicio de Publicaciones
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Valencia, a principios de 1930, era una ciudad llena de contrastes, con una gran oferta
cultural y de ocio. Hubo una colonia flamenca valenciana, una afición y un interés empresarial
por los espectáculos flamencos. El flamenquismo arraigado en la urbe se sintió diferente al
andaluz como arte y reivindicación social (aunque se dio el debate interno entre los estilos
puros y los importados). La creación del café cantante Villa Rosa y la breve estancia en él de los
hermanos Borrull (1931-1934) fue muy significativa. El objetivo es rescatar esa Valencia
flamenca olvidada, descubrir la colonia flamenca valenciana y centrar el interés en el café
cantante de los hermanos Borrull, y muy especialmente en Concha Borrull, su “Capitana”.
Valencia, at the beginning of 1930, was a city full of contrasts with a great cultural and leisure offer. There was a Valencian flamenco colony, a business interest in flamenco shows. The flamenquismo rooted in the city felt different to the Andalusian flamenco as art and social claim (although there was the internal debate between pure and imported styles). The creation of café singer Villa Rosa and the brief stay there of the Borrull brothers (1931-1934) was very significant. The final objective is to rescue that forgotten Flamenco in Valencia, to discover the Valencian flamenco colony and to focus the interest in the Café of the Borrull brothers, and especially in Concha Borrull, its “Captain”.
Valencia, at the beginning of 1930, was a city full of contrasts with a great cultural and leisure offer. There was a Valencian flamenco colony, a business interest in flamenco shows. The flamenquismo rooted in the city felt different to the Andalusian flamenco as art and social claim (although there was the internal debate between pure and imported styles). The creation of café singer Villa Rosa and the brief stay there of the Borrull brothers (1931-1934) was very significant. The final objective is to rescue that forgotten Flamenco in Valencia, to discover the Valencian flamenco colony and to focus the interest in the Café of the Borrull brothers, and especially in Concha Borrull, its “Captain”.
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