Publication: El metadiscurso descriptivo en los relatos de Théophile Gautier
Authors
Pardo Jiménez, Pedro
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Publisher
Universidad de Murcia, Servicio de Publicaciones.
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Résumé: Peintre et critique d’art, Théophile Gautier obéit à une esthétique éminemment visuelle, en raison de laquelle la présence de la description
dans son oeuvre romanesque est quasiment massive. A partir de là, l’auteur est condamné à résoudre la dialectique qui s’établit entre ces deux forces antagonistes que sont la continuité narrative, qui répond aux intérêts du récit, et la suspension descriptive, qui répond à ses propres besoins expressifs. Parmi les techniques d’inscription de la description dans le récit dont Gautier se sert, la plus originale est à mon avis l’élaboration d’un métadiscours descriptif qui évolue suivant sa poétique en tant qu’écrivain,
et qui se construit, d’un côté, comme une réflexion sur l’art d’écrire ; de l’autre, comme un légitimation de l’exces descriptif.
Abstract: A painter and art critic, Théophile Gautier creates a preeminently visual aesthetics that, in his literary oeuvre, renders description a truly overwhelming presence. On this basis, the author is forced to resolve the dialectics between the antagonistic forces of narrative progress (demanded by the needs of the short story) and descriptive suspension (demanded by his own expressive needs). Of the techniques Gautier employs to inscribe description into his narratives, the most original is a type of descriptive metadiscourse which, in the course of his evolution as a writer, develops from a reflection on the art of writing into a legitimation of descriptive excess.
Abstract: A painter and art critic, Théophile Gautier creates a preeminently visual aesthetics that, in his literary oeuvre, renders description a truly overwhelming presence. On this basis, the author is forced to resolve the dialectics between the antagonistic forces of narrative progress (demanded by the needs of the short story) and descriptive suspension (demanded by his own expressive needs). Of the techniques Gautier employs to inscribe description into his narratives, the most original is a type of descriptive metadiscourse which, in the course of his evolution as a writer, develops from a reflection on the art of writing into a legitimation of descriptive excess.
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Citation
Pardo Jiménez, P. (2007). EL METADISCURSO DESCRIPTIVO EN LOS RELATOS DE THÉOPHILE GAUTIER. Anales de Filología Francesa, 15, 240–252. Recuperado a partir de https://revistas.um.es/analesff/article/view/21201
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