Publication: La Cantatrice chauve desde la filosofía del lenguaje: la repetición como desafío al principio de la diferencia
Authors
Besa Camprubí, Carles
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Publisher
Universidad de Murcia, Servicio de Publicaciones.
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DOI
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info:eu-repo/semantics/article
Description
Abstract
Résumé: Cet article analyse le procédé de la répétition dans La cantatrice chauve en tant que dispositif défiant le principe de la différence examiné par la linguistique et la sémiologie. À la suite des travaux de Michael Issacharoff, nous montrons les enjeux de ce défi dans trois segments particulièrement significatifs: (1) la didascalie d’ouverture; (2) l’anecdote concernant le nom
propre Bobby Watson, et (3) le poème “Le Feu” récité par Mary. Dans tous les cas, les mécanismes de répétition traduisent l’idée que le réel, ne pouvant être l’objet de particularisation par les instruments de différentiation de la langue, est dépourvu de tout contenu spécifique.
Abstract: This article analyses the use of repetition in La cantatrice chauve, which challenges the principle of difference as a precondition of meaning as stated by linguists and semiologists. Following the work of Michael Issacharoff we show this challenge to be particularly significant in three sections of the play: (1) the initial didascalia; (2) the anecdote relating to the name Bobby Watson, and (3) the poem “Le Feu”, recited by Mary. In all these cases, the mechanisms of repetition convey the idea that reality is deprived of any specific meaning when it is not subject to instruments of linguistic differentiation.
Abstract: This article analyses the use of repetition in La cantatrice chauve, which challenges the principle of difference as a precondition of meaning as stated by linguists and semiologists. Following the work of Michael Issacharoff we show this challenge to be particularly significant in three sections of the play: (1) the initial didascalia; (2) the anecdote relating to the name Bobby Watson, and (3) the poem “Le Feu”, recited by Mary. In all these cases, the mechanisms of repetition convey the idea that reality is deprived of any specific meaning when it is not subject to instruments of linguistic differentiation.
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Citation
Besa, C. (2013). La Cantatrice chauve desde la filosofía del lenguaje: la repetición como desafío al principio de la diferencia. Anales de Filología Francesa, 21, 17–36. Recuperado a partir de https://revistas.um.es/analesff/article/view/188121
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