International Journal of English Studies 2022, V. 22, N. 1
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- PublicationOpen AccessHamlet goes legit: archaeology, archive and transformative adaptation in "Sons of anarchy" (FX 2008-2014).(Universidad de Murcia, Servicio de Publicaciones, 2022) Huertas-Martín, VíctorUsing Shakespeare’s criticism and archival theory as lenses, this article enlarges understandings of the interconnections between a complex television series and Shakespeare. Forming a Shakespearean archive, Sons of Anarchy (SOA), based on Hamlet and other plays by Shakespeare, is packed with Shakespearean allusions, rather than citations, whose impact in the overall work is yet to be explored. Shakespearean formations, identifiable in the series’ para-texts, episodes, and transmedia materials, add political weight to SOA. This intertextuality invites us to regard Shakespeare’s influence in complex television as transformative.
- PublicationOpen AccessApproaching 'home' in Bharati Mukherjee’s Darkness.(Universidad de Murcia, Servicio de Publicaciones, 2022) Crespo Gómez, Ana MaríaThe object of this study is to explore the relationship between 'home' and the decline of ethnic identity in the female characters of Bharati Mukherjee's collection of short stories Darkness (1985). This paper argues that while it is generally accepted that diaspora entails a questioning of a sense of belonging (Kennedy, 2014: 12), for Bharati Mukherjee, "the price that the immigrant willingly pays, and that the exile avoids, is the trauma of self-transformation" ("Two ways to belong in America", 1996). This article seeks to contextualize the Indian diaspora in its roots and routes, proving an inextricable link with gendering of the concept of 'home' in Bhattacharjee (1996). The introduction is underpinned by a theoretical framework on diaspora namely South Asian female migrants in the United States, and an analysis of the Indian concept of nation, from which the literary assessment departs.
- PublicationOpen AccessEthnicity and gender in the beat generation: Jack Kerouac and the other woman.(Universidad de Murcia, Servicio de Publicaciones, 2022) Encarnación-Pinedo, EstíbalizPivoting around the contrast between Jack Kerouac’s On the Road (1957) and Tim Z. Hernandez’s Mañana Means Heaven (2013), this article reopens debates about ethnic appropriation and rhetorical control in the Beat Generation. More specifically, it sets out to investigate whether the textual strategies used in Mañana Means Heaven allow ethnic minorities to escape the discursive control exerted by On the Road. Keeping in mind that Hernandez’s text acts as a counter-discursive text to Kerouac’s representation of Bea Franco (aka “the Mexican girl”) this article analyzes the different dialogues Mañana Means Heaven necessarily establishes with On the Road, which often include alliances as well as points of departure.
- PublicationOpen AccessCognitive operations in eco-friendly car advertising.(Universidad de Murcia, Servicio de Publicaciones, 2022) Cortés de los Ríos, María Enriqueta; Negro Alousque, IsabelThis paper presents a corpus-based analysis of printed eco-friendly car advertisements in English in line with the growing consumer interest in environmental issues and the development of green advertising. The aim of the research is threefold: 1) to unveil the content cognitive operations (for the purpose of this research, metonymy, metonymic chain, metaphoric amalgam and metaphor) underlying the ads and their modes of representation; 2) to examine the relationship between (i) these conceptual operations and the environmental claims made by advertisers, and (ii) the environmental claims made by advertisers and the text-image interaction. In this light, the paper yields two major findings: a) the cognitive operations underlying our corpus are usually rendered in the visual and verbal modes; b) the environmental claims underlying the ads correlate with the conceptual content and the text-image interplay. The conscious use of these mechanisms by advertisers can help the manner in which messages are interpreted.
- PublicationOpen AccessBreaking the silence: the strange case of an eco-cosmopolitan Chicana detective.(Universidad de Murcia, Servicio de Publicaciones, 2022) Pérez-Ramos, M. IsabelThis article analyzes the strange eco-cosmopolitan detective attributes of Ivon, the protagonist in Alicia Gaspar de Alba’s 2005 novel Desert Blood: The Juárez Murders. Through this willful, queer, and feminist mestiza character, who continually trespasses and transgresses cultural borders, Gaspar de Alba challenges the standards of crime fiction in numerous ways, as argued in this paper. Moreover, she also manages to expose the transnational dimension of the exploitation, mistreatment, and even murder of women in Ciudad Juárez. Simultaneously, Ivon’s eco-cosmopolitanism acknowledges how the expendability thinking of free trade that partly sanctions the murder of women, also results in the environmental degradation of, and the free flow of toxins and pollution in the border. Ultimately, Ivon’s strange, eco-cosmopolitan investigative traits, serve as the tools to break the silence and start confronting the feminicides in Ciudad Juárez as well as the socio-environmental exploitation of the US-Mexico border region, fostering a positive socio-environmental change.