Browsing by Subject "Literary plurilingualism"

Now showing 1 - 4 of 4
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    Acerca de la heterogeneidad léxica del siciliano contemporáneo: influjos griego, árabe y otras influencias menores.
    (Universidad de Murcia, Editum, 2020) García Fernández, José
    El siciliano ha sido una lengua clave en el devenir del pueblo sículo, una comunidad que aún hoy la utiliza como signo de identidad pese a que, en múltiples ocasiones, su uso haya quedado reducido a un ámbito puramente folclórico. En cualquier caso, el empleo del siciliano es cada vez más frecuente en la literatura insular contemporánea, un modo de revalorizar una variante lingüística itálica que refleja de forma real y fidedigna las características idiomáticas definitorias de Sicilia. Atentos a esta coyuntura, la introducción de este artículo pone de manifiesto la relevancia lingüística y cultural del siciliano, patente en su utilización por parte de los principales intelectuales de la isla. Esta técnica literaria está presente en L’Assaggiatrice (2007), primera obra de Giuseppina Torregrossa, una autora que se sirve de este libro para retratar lingüísticamente su tierra natal, usando tanto voces sicilianas procedentes del ámbito romance como otras procedentes del griego, del árabe y de otras influencias menores. La metodología empleada se basa en la localización y en la recopilación de los dialectalismos utilizados por Torregrossa en L’Assaggiatrice, voces analizadas desde una perspectiva semántica y etimológica que han revelado hasta qué punto las influencias griega, arábiga, turca y gótica –sin descuidar las palabras de origen desconocido o formadas a partir de onomatopeyas– han sido sustanciales en la actual configuración léxica de la isla.
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    “Cette etrangère que je suis” : immigration, plurilinguisme et contestation (Copi, Nella Nobili).
    (Universidad de Murcia, Servicio de Publicaciones, 2023) Rigeade, Anne-Laure
    The Argentinian Copi and the Italian Nella Nobili both immigrated to France and to the French language. But if a large part of their work was written in this foreign language, their mother tongue and other languages, far from disappearing, fuel these writers’ creativity, in a hidden but also in a visible way. The text’s literary plurilingualism is one of the reasons why such works remained in the margins of French literature, a phenomenon that was accentuated by the fact that Copi and Nobili, as foreigners, wrote about marginalization. Minor and on the margins, their works express political and aesthetic protest.
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    Entre les langues ou la question du plurilinguisme littéraire.
    (Universidad de Murcia, Servicio de Publicaciones, 2023) Marques, Isabelle Simões
    The main aim of this article is to explore the notion of literary plurilingualism through the experience of French-speaking writers. The way this discursive methodology works in an enunciative and narratological framework reveals the how these writers relate to the different languages that are featured within their texts. We provide a context to this literary plurilingualism among a range of authors to understand its different dimensions and functions. Our approach aims to prove that it contributes to a close relationship between language(s) and literature, and also to compelling one between the languages themselves. Finally, we consider linguistic and textual issues by addressing topics related to miscegenation, hybridism and alterity, as well as heterolingualism, literary and textual diglossia, and contrastive heteroglossia.
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    El superestrato románico: la huella del español, del francés y del occitano en el siciliano contemporáneo.
    (Universidad de Murcia, Servicio de Publicaciones, 2019) García Fernández, José
    Sicily has always been a territory under dispute by multiple peoples that eventually managed to mold the culture of the inhabitants of the island. As a result, the Sicilian language absorbed the language of the ensuing settlers, particularly Spanish and French. In view of this, this article addresses the analysis of the Spanish, French and Occitan traces, three Romance variants that, through the semantic superstratum, have had an impact on the linguistic confguration of the Sicilian language. With the focus on the dialectal lexicon used by the Palermitan writer, Giuseppina Torregrossa, in her debut novel, L’Assaggiatrice, this study confrms what previous specialized authorities on the feld observed in past times: that the Ibero-Romance and Gallo-Romance infuence have been, and still are, key to the shaping of the Sicilian language, a linguistic variant that is most frequently used in insular literature regardless of the growing social interest in standard Italian after the unifcation.